Though Farewell My Concubine has long been a master

piece of the Mei School, Wan Ruixing, renowned Peking Opera composer and player of the jingh

u (a high-pitched two-stringed fiddle used in Peking Opera), said the Cheng School’s sorrowful tunes a

nd slow rhythm also could be a decent interpretation of concubine Yu’s tragic fate.

“There are more tragedies in the Cheng School’s plays and the characte

r of Yu and her deep sorrow in the legendary story meet very well with the featu

res of the Cheng School,” said Wan, who is also responsible for the new play’s method of singi

ng tunes.A former actress from the China National Peking Opera Company, Zhang has performed in sellout shows acros

s China, including a solo show at the Great Hall of the People in 2007. In 2015, Zhang made her US debut at Lincoln Ce

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